In THE PATHOLOGICAL OPTIMIST, director Miranda Bailey brings us a character study of Dr. Andrew Wakefield, one of 13 co-authors of a notorious 1998 paper in the UK medical Journal The Lancet, but who became the very public face of what has come to be known as “The Anti-Vaccination Movement.” An expat from Britain who currently resides in Austin, Texas, Wakefield allowed Bailey and her team to follow him and his family for five years beginning in 2011 as he fought a defamation battle in the courts against the British Medical Journal and journalist Brian Deer. The results of that case – and the self-reflection, pronouncements, and observations of Wakefield, his legal team, wife, and his children – create a complex and incisive look at one of our era’s most fear-provoking and continuingly provocative figures.

源于强烈焦虑的艺术作品，往往有着一种深层的吸引力，这或许是因为它既源自脆弱，又源自对清晰的渴望。《AI启示录：一个末日乐观主义者的诞生》正是源于联合导演丹尼尔·罗尔对未来的深切忧虑，特别是人工智能在塑造未来中会起到的作用。罗尔和查理·泰瑞尔共同探寻了这些飞速进化的工具所带来的令人眼花缭乱的可能性与风险，以及它们可能会带来的代价。

When a car accident leaves his father in a coma, a 15-year-old prodigy joins his high school golf team to try and win the state title for his dad.

该剧讲述了职业记者林星，因为疾病失去了追求事业的能力，只有蜷缩在男友的羽翼下历练爱情，并遭遇着来自成人世界的嫉妒、贪婪与凶杀的故事。

该剧讲述了职业记者林星，因为疾病失去了追求事业的能力，只有蜷缩在男友的羽翼下历练爱情，并遭遇着来自成人世界的嫉妒、贪婪与凶杀的故事。

原本平静的生活，就这样被突如其来的灾难所打破。因未婚妻遭人强暴，愤怒的男人张二力寻仇杀人，不得不夺路而逃。他的孪生哥哥张大力是一名人民警察，大力虽然心疼弟弟，却无法让头上的国徽蒙羞。经过百般劝说无效，大力准备用手铐铐住弟弟，谁知推搡追逐中大力突然晕倒。二力将哥哥送到医院后再度逃亡。经过医生的争端，一家人得知大力竟然罹患血癌，生命受到死神的威胁。而一奶同胞的二力无疑是拯救哥哥最后的希望。或者为了营救生命而戴上手铐，锒铛入狱；或者亡命天涯，背负一生无法摆脱的愧疚悔恨。 　　张家兄弟的命运面临重大的考验……

原本平静的生活，就这样被突如其来的灾难所打破。因未婚妻遭人强暴，愤怒的男人张二力寻仇杀人，不得不夺路而逃。他的孪生哥哥张大力是一名人民警察，大力虽然心疼弟弟，却无法让头上的国徽蒙羞。经过百般劝说无效，大力准备用手铐铐住弟弟，谁知推搡追逐中大力突然晕倒。二力将哥哥送到医院后再度逃亡。经过医生的争端，一家人得知大力竟然罹患血癌，生命受到死神的威胁。而一奶同胞的二力无疑是拯救哥哥最后的希望。或者为了营救生命而戴上手铐，锒铛入狱；或者亡命天涯，背负一生无法摆脱的愧疚悔恨。 　　张家兄弟的命运面临重大的考验……

最近刚从广场恐怖症中治愈的凯兰想帮助其他患有类似疾病的人。当她遇到更多不寻常的病例时，她意识到自己对这一过程中出现的心理并发症毫无准备。

最近刚从广场恐怖症中治愈的凯兰想帮助其他患有类似疾病的人。当她遇到更多不寻常的病例时，她意识到自己对这一过程中出现的心理并发症毫无准备。

Caetano Gotardo, whose contribution to the omnibus film Neverquiet (Film of Wonders) was screened in 2011 at IFFR, stays close to home in his second feature. He writes, directs, edits and also plays the leading role. The story is set in the Brazilian artists’ milieu. 　　Joao has extensive conversations with friends, strangers and himself. For instance with his best friend Irene, who cannot let go of memories of her ex; and the boy he meets in the metro, with whom he wants to have sex. Beside life and love, the creative process is a recurring theme in the conversations, in the best traditions of filmmakers like Éric Rohmer or Hong Sang-soo. Piece by piece, the encounters, conversations and monologues have a great influence on Joao, who literally wrestles with his attitude to life. A puzzle unfolds within which time, narrative, character and perspective are all jumbled up in an intriguing way.